Over the years, she presented her work nationally and internationally at typography conferences and educational institutions with occasional workshops. Sibylle Hagmann’s work has been featured in numerous publications and recognized by the Type Directors Club of New York and Japan. The typeface family Odile, first published in 2006, was awarded the Swiss Federal Design Award in the same year. Cholla was among the winning entries of bukva:raz!, the type design competition of the Association Typographique Internationale (ATypI) in 2001. During this time she developed typefaces, most notably the award winning Cholla family, originally commissioned by Art Center College of Design, and released soon after by the type foundry Emigre in 1999. Alternatively, you can look for a soundfont that mimics a certain MIDI.
Sibylle Hagmann began her career in Switzerland at the Basel School of Design and explored her passion for anything type related in California, while completing her MFA at CalArts. Founded by Sibylle Hagmann in 2000, the project started out with a broad spectrum of undertakings in the area of graphic, typographic, and type design. Kontour is a type design venture with focus on creating original typefaces.
Axia includes many OpenType features and offers broad language support.įor additional license options like app and enterprise, visit Axia on Type Network. A feature doing double duty, it contributes to great legibility in heavier weights, and attributes to versatility of individual styles. The inner arched strokes off the stem on the lowercase ‘b’ and ‘d’, for example, progressively open the letterforms and express conceptual clarity throughout the system. Text set in light or black results in the same, economical fit. Axia has been orchestrated from scratch, each the roman and italic weights harmonize perfectly in width without a changing line length. Originally designed for the Rice University School of Architecture in 2011, this contemporary sans found some inspiration in the TwinCities typeface family created by Sibylle Hagmann for the University of Minnesota in 2003. The type is perfect for captivating big sizes shapes of abstract floating parts allure the eye and form nicely proportioned type when united.
A distinct fragmentation of the letters gives this stencil design its particular character. Two display styles, Stencil Light and Stencil Black feature a unique aesthetic. The type consists of ten weights from light to black, each with italics and small caps. Axia is a uni-width sans serif of concise letterforms.